| Format | Price | |
|---|---|---|
| Article: Print | $US10.00 | |
| Article: Electronic | $US5.00 |
Representation of political themes that may be highly didactic are always a subject of debate within the artistic community. At the same time, the lack of direction of some aspects of modern and evn post-modern art has raised the question of the necessity of artists to confront some of the more violent issues societies of the past and present, including war and genocide. There are many precedents for this engagement: European artists responded significantly to World War I battlefield conditions and a critique of the political world, followed by satiric art about the rise of Fascism, use of art and artists by authoritarian regimes especially in Communist societies. A special intensity of representation has developed as a response to the Holocaust (destruction of European Jews) and other genocides, especially art by 2nd and 3rd generation Armenians and both survivors of the Rwandan genocide and independent artists. This is one of the five papers presented at the Edinburgh Conference session
and deals with issues of representing the Holocaust in the work of Chantal
Akerman and the Rwandan Genocide in the work of Alfredo Jaar.
| Keywords: | Art in Response to 20th Century Genocidal Violence |
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International Journal of the Arts in Society, Volume 1, Issue 7, pp.201-218. Article: Print (Spiral Bound). Article: Electronic (PDF File; 2.927MB).
Director, Center for Holocaust and Genocide Studies, University of Minnesota, Minneapolis, Minnesota, USA